Although the workshop is "compact and bijou" (can you see the HP sauce bottle under the nipping press in the second picture, it is a vital ingredient to a secret formula...... so is the salad cream), you wouldn't think it if you saw the size of the books I have in for restoration, I have just been sent a commission of 2 large 4to volumes from the USA and they are nothing in size compared to some of these which are in for restoration.
I've placed a wine glass and a 12" rule so you get an idea, the sizes range between 13 inches to 19 1/2 inches in length and between 2 inches and 5 inches thick.
Commissions come in various shapes and sizes though, to name a paradox would be, last month I sent a minature silver prayer book ( about 1"x!1/4") over to a client in South Carolina, whilst today I am working on a large folio bible.
It has been said that you should give interesting and educational advice in a newsletter so people look forward to the next one, so here goes....
Don't attempt any kind of restoration to your rare books whatsoever........send them to me!
And don't eat yellow snow!
Well thats got that out of the way.
The main qualifications for a trade bookbinder when I was an apprentice was, not to be colour blind, and to have a good command of the English (and several others) language, a fellow bookbinding colleague of mine who is dixlexlik X dyslek X.....can't spel....also added the ability to read ndsipepomu and tnorf ot kcab.
Because I am based in a Craft Centre I get to meet some very interesting (and weird) people, a few weeks ago a chap bought in a late edition of Charles Dickens for restoration, when I asked him for his details for the receipt he said his name was "Mr. C. Dickens", that's a coincidence I said, "not really" he replied, "he was my Great Grandfather".
I bet you must have all his rare 1st editions, I remarked, "No, only this one" he said, to which I asked, "would you like to buy some".
The bookshop is a collection of rare items usually not found outside an institution, private collection or ebay, and their general condition would lend to restoration due to their scarcity.
So if you know a good restorer who understands periods and styles of binding and is sympathetic to detail using traditional hand made materials, tools and techniques, you could be on to a good investment.
